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Two Obstacles (colour litho)

Two Obstacles (colour litho)


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Two Obstacles (colour litho)

6001241 Two Obstacles (colour litho) by Granville-Smith, Walter (1870-1938); Private Collection; (add.info.: Two Obstacles. Illustration from Drawings by W Granville-Smith and Others (E R Herrick, New York, 1898).); © Look and Learn

Media ID 23605648

© Look and Learn / Bridgeman Images

Courting Courtship Disappointment Lifestyle Proposal Refusal Refusing Rejecting Rejection Rich Wealthy Wooing


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Two Obstacles - A Glimpse into Late 19th Century Courtship

EDITORS COMMENTS
. This photo print, titled "Two Obstacles" takes us back to the late 19th century in America, offering a fascinating glimpse into courtship and societal norms of that era. The image, captured through a colour lithograph by Walter Granville-Smith, showcases a beautifully dressed couple amidst an enchanting garden setting. The man and woman depicted here are engaged in what appears to be a delicate dance of wooing and rejection. Dressed impeccably in fashionable attire of the time, they symbolize the aspirations and desires of individuals seeking love within the constraints imposed by society's expectations. The scene exudes both hope and disappointment as we witness the man making a proposal while holding out his hand - perhaps representing not only his heart but also his wealth. However, it is clear from the woman's expression that she has chosen to refuse this offer. Her decision may stem from various factors such as personal preferences or concerns about financial compatibility. In this moment frozen in time, we are reminded of how courtship rituals were intricately intertwined with social status and economic considerations during this period. Marriage was often seen as an avenue for upward mobility or securing one's place within affluent circles. Through this artwork, Granville-Smith skillfully captures not just a single narrative but rather encapsulates broader themes like love, wealth disparity, societal expectations, and individual agency. It serves as an evocative reminder that even across different

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