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No. 12, Shinmachi (colour woodblock print)
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No. 12, Shinmachi (colour woodblock print)
5043991 No. 12, Shinmachi (colour woodblock print) by Hiroshige, Ando or Utagawa (1797-1858); Bristol Museum and Art Gallery, UK; (add.info.: No. 12 in the series. Shimmachi, travellers by pines in evening light, hill-side in foreground, distant hills without outline. Signed: Hiroshige ga. Artist's seal: Ichiryusai. Publisher: Iseya Rihei (Kinjud?). Censor's seal: Kiwame. Publisher's seal: Kinjud?.
The Sixty-nine Stations of the Kisokaid? Road (Kisokaid? rokuj?ky? tsugi no uchi)); © Bristol Museums, Galleries & Archives ; Japanese, out of copyright
Media ID 22322434
© Bridgeman Images
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EDITORS COMMENTS
This print titled "No. 12, Shinmachi" transports viewers to a serene and timeless landscape captured by the renowned Japanese artist Hiroshige, Ando or Utagawa. Displayed at the Bristol Museum and Art Gallery in the UK, this colour woodblock print is part of a series known as "The Sixty-nine Stations of the Kisokaidō Road". In this particular piece, we are immersed in the beauty of Shinmachi, where travellers find solace amidst towering pines bathed in the warm glow of evening light. The foreground showcases a hill-side with meticulous details that draw us closer to nature's wonders. As our gaze extends into the distance, we encounter hills without clear outlines - an artistic technique that adds depth and mystery to this enchanting scene. Hiroshige's signature graces this masterpiece along with his artist's seal: Ichiryusai. The publisher Iseya Rihei (possibly Kinjud?) played a crucial role in bringing this artwork to life, evident through their publisher's seal: Kinjud?. Additionally, Kiwame's censor seal ensures that all aspects of production adhered to strict regulations. Through Bridgeman Images' lens capturing every intricate detail with finesse and precision, we can appreciate not only the natural elements depicted but also Hiroshige's mastery as an artist. This print serves as a testament to his ability to transport us beyond time and space into Japan's rich cultural heritage while simultaneously ev
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