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Scene from the Apocalypse, Adoration of the Lamb, German edition, 1498 (woodcut)
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Scene from the Apocalypse, Adoration of the Lamb, German edition, 1498 (woodcut)
XIR253278 Scene from the Apocalypse, Adoration of the Lamb, German edition, 1498 (woodcut) (b/w photo) by DAOErer or Duerer, Albrecht (1471-1528); 39.2x28.1 cm; Bibliotheque Nationale, Paris, France; (add.info.: Adoration de l Agneau; agneau; twenty-four Elders; St. John the Evangelist; Apostle; Divine; Saint Jean; st; Apocalypse 14; XIV, 9-10; ); German, out of copyright
Media ID 12770345
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Book Of Revelation Crowns Eagle Elder Evangelical Symbols Evangelists Monogram Palm Palms Revelations Worshipping Xylograph Northern Renaissance
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This print captures a mesmerizing scene from the Apocalypse, specifically the Adoration of the Lamb. Created in 1498 by Albrecht Dürer, a renowned German artist of the Northern Renaissance, this woodcut is an exquisite example of his masterful craftsmanship. The focal point of the image is undoubtedly the Lamb, which is being worshipped by a male elder. Surrounding them are twenty-four Elders, St. John the Evangelist, and various apostles. The divine atmosphere is enhanced by angelic figures hovering above and evangelical symbols scattered throughout. Dürer's attention to detail shines through in every element depicted - from the intricate monogram on one of the crowns to each evangelist symbolized as an ox, eagle, lion, and man. The composition exudes both power and serenity as these celestial beings pay homage to their sacred subject. Measuring at 39.2x28.1 cm, this piece can be found in Bibliotheque Nationale in Paris, France where it resides within their esteemed collection. Its historical significance cannot be understated as it represents a pivotal moment in religious art history. As we gaze upon this remarkable woodcut photographically reproduced here with utmost clarity by Fine Art Finder from www. bridgemanimages. com. , we are transported back to 15th-century Germany where Dürer's genius first came alive on paper for all to behold.
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