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Statue of St. Veronica, work by Francesco Mochi kept in St.Peter's Basilica, in the Vatican
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Statue of St. Veronica, work by Francesco Mochi kept in St.Peter's Basilica, in the Vatican
Statue of St. Veronica, work by Francesco Mochi kept in St.Peter's Basilica, in the Vatican State of the Vatican City St.Peter's Basilica Statue Baroque, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1880-1890 ca.. Date of Artwork:1632. Artist:Mochi Francesco (1580-1654)
D' Alessandri, Brothers
FAA-F-000022-0000
Media ID 33183161
© Alinari Archives, Florence
Astonishment Human Psychology Inscription Instrument Or Object Other Important Women Pyschological Behavior Surprise Veronica Christian Religion
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EDITORS COMMENTS
This photograph captures a remarkable piece of art, the Statue of St. Veronica, created by the talented Francesco Mochi. Housed within the grandeur of St. Peter's Basilica in the Vatican City, this masterpiece stands as a testament to both Baroque and Renaissance-Baroque styles. The image transports us back to the late 19th century when it was taken, allowing us to glimpse into a time long past. The statue itself dates back even further, originating in 1632 during an era that witnessed great artistic achievements. St. Veronica is portrayed with utmost grace and elegance; her delicate features are beautifully carved with meticulous attention to detail. She holds an inscription or writing instrument, perhaps symbolizing communication or astonishment. This evokes curiosity about her psychological behavior and human psychology during such ancient times. Dressed in period costume and adorned with a fashionable hairdo typical of that era, she exudes femininity and strength simultaneously. As one of Christianity's important women, St. Veronica carries immense significance within religious history. The photograph not only captures this individual artwork but also provides insight into physiological and psychological aspects prevalent during the first and second millenniums AD in Europe. As we delve deeper into this image, we cannot help but be reminded of biblical references found in the New Testament regarding St. Veronica's encounter with Jesus on his way to Calvary – where she offered him her veil to wipe his face – resulting in his holy shroud bearing his likeness. In summary, D'Alessandri Brothers' photographic print immortalizes Mochi's magnificent creation while offering glimpses into historical periods marked by artistic brilliance and spiritual devotion. "
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