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Facade of the Church of Villa or of Corpo di Cristo, Castiglione Olona, Varese

Facade of the Church of Villa or of Corpo di Cristo, Castiglione Olona, Varese


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Alinari

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Facade of the Church of Villa or of Corpo di Cristo, Castiglione Olona, Varese

Facade of the Church of Villa or of Corpo di Cristo, Castiglione Olona, Varese Castiglione Olona Church Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1915 - 1920 ca. Date of Artwork:1430-1440 ca.. Artist:Brunelleschi, Filippo

Alinari, Fratelli
ACA-F-013954-0000

Media ID 33128046

© Alinari Archives, Florence

Anthony Abbot Cane Popular Christian Religion


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Arts > Artists > F > Fratelli Alinari Fratelli Alinari

> Arts > Pop art

> Baroque paintings

> Europe > Italy > Lombardy > Varese

> Historic > Historical fashion trends > Baroque fashion trends

> Historic > Historical fashion trends > Renaissance fashion trends

> Historic > Renaissance art > Baroque art

> Historic > Renaissance art


EDITORS COMMENTS
This print transports us back in time to the grandeur of the Renaissance period. The image showcases the magnificent facade of the Church of Villa or of Corpo di Cristo, located in Castiglione Olona, Varese. Built between 1430 and 1440 by the renowned Italian architect Filippo Brunelleschi, this architectural masterpiece is a testament to his genius. The church's facade is a harmonious blend of Renaissance and Baroque styles, reflecting the artistic trends prevalent during that era. Its intricate details and exquisite craftsmanship are truly awe-inspiring. As we gaze at this photograph captured between 1915-1920 by Alinari, Fratelli, we can only imagine how it must have appeared when first completed centuries earlier. Intriguingly, amidst this stunning architectural backdrop stands a figure dressed in religious attire. This individual exudes an air of piety as he holds a cane or staff in his hand – perhaps symbolizing his spiritual authority or journey through life. His presence adds depth and human connection to an otherwise static scene. It is worth noting that this artwork also features St. Anthony Abbot prominently displayed on one side of the facade. St. Anthony Abbot was revered as a popular saint during medieval times for his ability to heal diseases and protect against evil spirits. As we contemplate this remarkable print from Alinari's collection, we are reminded not only of its historical significance but also its aesthetic beauty that has withstood the test of time. It serves as a window into Europe's rich cultural heritage spanning over multiple centuries – an enduring testament to mankind's pursuit of artistic excellence throughout history.

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